Relevance (context) of the subject of the article. The problem of creative abilities is becoming increasingly important in two contexts at once – both in the context of human self-realization, and in the context of the development of practices and production. A special place is occupied by the development of creative abilities in preschool age: even in the works of Lev Vygotsky, it was said about the importance of considering the germs of creativity in the game and fantasy of children. Today, within the framework of the cultural-historical approach, there are a number of scientific schools that study the possibilities of diagnosing and developing children’s creativity.
The aim of the study is to analyze the approaches to the study of children’s creativity in cultural-historical psychology in order to understand what answers to the questions posed by Lev Vygotsky, were discovered over the past decades, and what remained unanswered. It is also important to see how the questions themselves were transformed, since the raising of a new question is a sign of the development of science. The correlation of existing approaches is important for the development of new research programs in the logic of cultural-historical psychology.
Description of the research. The article analyzes various approaches to the research and development of creative abilities: V.V. Davydov and V.T. Kudryavtsev, D.B. Bogoyavlenskaya, N.E. Veraksa and O.M. Dyachenko, V.N. Druzhinin, L.F. Obukhova. The general and specific characteristics of the interpretation of children’s creativity in different approaches of the cultural and historical tradition are highlighted. The conducted research correlates with the questions about the creative nature of the human psyche and about children’s creativity, posed by L.S.Vygotsky.
Research results. The article concludes that despite all the differences in the approaches that have appeared in the logic of the cultural-historical tradition, they are united by the idea of the resourcefulness of preschool childhood and the importance of educational efforts aimed at maintaining the “sprouts of creativity”. In Russian studies, the question is raised about the means of creative abilities that allow us transforming the present situation (dialectical structures and symbols), as well as about the affective-volitional component of the creative process – the ability to detect a task. All this distinguishes the concepts that were born within the framework of the cultural-historical approach from the theory of creativity by J. Guilford and E. Torrance. At the same time, it is indicated that children’s activities (playing, storytelling, experimentation, etc.) are still rarely considered in research as a context for the manifestation of creative abilities.
Conclusion. The article concludes that it is important to conduct new research, both ascertaining and longitudinal, which will allow us to take the next steps in understanding how the means of developing creative abilities are mastered in children’s activities and how this affects the formation of creative abilities in subsequent ages.